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Antonio Marras, Olivier Saillard

Kenzo


   
Rizzoli, 2010
Страниц: 296
Формат: 245x305
Kenzo is inscribed on our collective memory. Since its creation in 1970, the legendary prints, the gathering of motifs, the mix of fabrics, the wordplay and the spirit of Kenzo made this Parisian fashion house the spokesman for aesthetics, divergence and universal culture. As a precursor to the fusing of cultures and influences in fashion, the brand knew how to evolve and enrich itself with a new exoticism in the color of our times. The House was established to be at once present and elsewhere, and pursues a quest to travel through realms both real and imaginary, expressing itself with a previously unknown language. Its pieces marry the linearity of cuts to a richness of materials and color variations, granting the freedom to wear pieces creatively while allying the power of tradition to the elegance of a new romanticism. The designs of the House translate to a dynamic vision of the world founded in joie de vivre, harmony, creative energy and universality. In...
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