Ôîòîãðàôèÿ: ëèòåðàòóðà êíèãè ó÷åáíèêè ïîñîáèÿ ñïðàâî÷íèêè ïî ôîòîãðàôèè / öèôðîâàÿ ôîòîãðàôèÿ / ïðîôåññèîíàëüíàÿ ôîòîãðàôèÿ / ëþáèòåëüñêàÿ ôîòîãðàôèÿ / ïîäàðî÷íûå ôîòîàëüáîìû / ñòàðûå è ñòàðèííûå ôîòîãðàôèè
|
Patrik AlacBikini Story (Temporis Collection)
| | Ñòðàíèö: 256 A?A It was in 1946 that the world fi rst came to hear of a coral atoll in the Marshall Islands called Bikini. The following year, French couturier Louis RA©ard borrowed the name and applied it to a bathing costume for women. Breaking from decades of conformity, RA©ard dared to a?˜undress’ women’s bodies in order to better emphasize what remained clothed – albeit in tiny wisps of material. By taking up the bikini as popular beachwear, women also found themselves thinking differently about their bodies. An ideal of perfection was reinforced bythe appearance on the cinema screen of stars such as Marilyn Monroe, Brigitte Bardot and Ursula Andress, all of whom were featured in bikinis that accentuated their own curvaceous contours. More than a bathing costume, the bikini made its own contribution during the 1970s to the sexual revolution and to the changing relationship between men and women in general. This book investigates the history of the bikini and its effect on the evolution in the...
|
|
Ôîòîêàëåéäîñêîï
15 ñîâåòîâ ñúåìêè ïðè ñâå÷àõ
12 ñîâåòîâ ñúåìêè çàêàòîâ
"Àëüáîì ïóòåøåñòâåííèêà áóäåò "íåïîëîí", áåç ïàðû êàäðîâ êðàñèâîãî çàêàòà!"Ïëàíèðóéòå - êîíå÷íî, èíîãäà çàìå÷àòåëüíûå ñíèìêè âîñõîäîâ èëè çàêàòîâ áûâàþò ñïîíòàííûìè, áåç êàêèõ ëèáî ïîäãîòîâîê, íî âñå æå ëó÷øå ïëàíèðîâàòü çàðàíåå. Îñìîòðèòåñü, íàéäèòå ìåñòî ñúåìêè çàðàíåå - çà äåíü èëè äâà. Èùèòå èíòåðåñíûå ìåñòà, ãäå ìîæíî íå òîëüêî îòñëåæèâàòü âåñü ïóòü ñîëíöà, íî è áóäåò âîçìîæíîñòü ïîéìàòü êàêîé íèáóäü ñèëóýò. Çàêàòû ïî ïðîäîëæèòåëüíîñòè îêîëî ïîëó÷àñà èëè îêîëî òîãî, òàê ÷òî ë...
|